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Alberto Mantelli (Torino, May 14, 1909 - Torino, September 1, 1967) was an Italian musicologist and music critic. ==Biography== (Giacomo) Alberto Mantelli studied at Liceo Classico Massimo d'Azeglio of Torino, under Augusto Monti and Italo Maione. He graduated in Law in Turin with a thesis on "The object of copyright in musical creation" 〔His thesis formed a reference point for the argument. It was printed (GA Mantelli, "The object of copyright in musical creation," Milan 1933) and was republished in 1937 in the series of monographs by the publisher of Private Law "Athenaeum" of Rome.〕 He contributed to the Rivista Musicale Italiana (1932) with an essay entitled "Debussy and Mallarmé" and, subsequently, to the Rassegna Musicale, where he published articles on Stravinsky, Hindemith, Berg and Ravel, among others. In 1936 he wrote the first essay appeared in Italy on Alban Berg (La Rassegna Musicale, 1936). He created the Italian rhythmic version of Alban Berg's Wozzeck for the famous first performance in Rome in 1942.〔No misprint, Wozzeck in Italy in 1942. See R. Vlad, «E Hitler chiamò Mussolini: cancella il Wozzeck», Corriere della Sera, 30 settembre 2003, p. 50〕 In the same year he published the Guide to Wozzeck.〔La Lampada, 1942〕 His essay "Three centuries of European music" 〔Il Balcone, Milano, 1937〕 was published in 1947, when Mantelli also edited the first Italian edition of the autobiography of Igor Stravinsky "Croniques de ma vie," which he also translated. At that time, Mantelli was also a member of the organizing committee of the International Festival of Contemporary Music at the Venice Biennale. Mantelli started working at EIAR in Rome in 1938 in the Programming Office. After a break due to war, he returned to EIAR (later, RAI) in 1946 as the manager of the music sector of the radio station of Turin. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alberto Mantelli」の詳細全文を読む スポンサード リンク
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